Somewhere around 1999 and 2002, after the Yugoslav Wars, picture taker George Georgiou was living and working in Kosovo and Serbia, shooting primarily the consequence of the NATO strife with Serbia. While there he went by three psychiatric foundations, taking these unpleasant photos of the patients and their stunning living conditions. George had put in four years showing a photography class to individuals with psychiatric issue in London earlier, so psychiatric foundations and patients were not outsider to him. What he found in Kosovo and Serbia was a long ways shape the contemporary practice in London.
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